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Showing 937–960 of 1846 results
A winged figure holds a bicycle and a leafy spray over an orange-red sky. Yellow drapery and the Dijon lettering frame the advertisement for cycles, motorcycles and tires.
A golden bottle fills the foreground of a blue mountain scene under red La Jurassienne lettering.
A figure in flowing teal reaches toward golden stars with a tiny glass held high above a deep blue background.
A red winged devil carries a bottle over a mountain gorge beneath clouds and a yellow sky.
A bottle of Quina-Coca sits among three café figures, with vivid red lettering across a sunny yellow field.
A green bottle, scattered playing cards and a red glass sit beneath a hand-lettered invitation to stay a while. Dark scallops frame the warm paper-toned design.
A red-haired figure embraces a giant orange and holds a small bottle among vivid leaves. Leonetto Cappiello sets the citrus colors against black.
A red-uniformed attendant balances pale and dark beer beneath Thomasbräu München lettering on a deep blue field. This historical brewery design uses racial caricature, addressed in the accompanying context.
A whiskey bottle and red gas pump stand before a looming skull in Robert Lachenmann’s Don’t Mix ’Em design. The WPA poster delivers a stark warning against drinking and driving.
A crowned figure raises a bottle beside a barrel, with the river, bridges and tower of Albi behind him.
A man rests in a yellow field as a hat and a glowing beer mug hang above him on this Breda brewery advertisement.
A black bird in formal dress stands beside a tall golden glass in this graphic Birra di Pasqua advertisement.
A red gnome with a lavender beard stretches out beneath a curved yellow Cinzano name on a nearly black ground.
Two girls flank a cologne bottle nearly twice their height. Pale blue fabric, a burgundy dress and gold-toned lettering give this E. W. Hoyt & Co. trade-card design its period charm.
Three labeled bottles sit at different angles in an ivory geometric form against deep black.
Yellow pigs crowd the front of an open roadster with bottles in their hooves. Tony Sarg’s signed 1936 illustration uses navy, yellow and a thin border to frame the scene.
Three small figures in red jackets and pale turbans work around an enormous Calissano bottle as its cork rises above them. Romano’s sparkling wine design sets a comic opening scene against a warm yellow ground, with outlined lettering below.
A snowy Norwegian fishing coast sits above a turquoise panel with a Soetenaey cod liver oil bottle. Red French lettering, decorated barrels and a band of medals give the advertisement the feel of an illustrated trade display.
A woman in a yellow skirt raises a glass beside an amber bottle and a branch heavy with orange fruit.
A slender server in a red-and-white striped dress balances an enormous rum bottle and glass on a tray. The cream ground and sweeping Rhum Negrita lettering emphasize the long silhouette.
John Sun and Rhum du Planteur lettering sits above a standing figure with a raised bottle and striped trousers. The cream ground and sparse layout accompany a racial caricature that requires historical context.
A golden pint shares this wide pub sign with bold brown lettering and decorative scrolls. The aged cream ground gives the punch line the look of a well-worn tavern placard.
A bright parrot holds an Eptinger bottle as white bubbles rise against blue. This cropped version of Herbert Leupin’s Pepita design foregrounds the bird and the grapefruit-soda bottle.
A jester lifts a bottle and tiny glass while leaping beneath a smiling moon in a hat.
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