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Showing 1657–1680 of 1849 results
A black bowler-hatted figure sits against a slate-blue ground with a golden beer mug at the center. Broad angular forms and delicate red outlines give this version a clear, restrained graphic rhythm.
A woman in a red skirt raises a beer mug while riding a dark eagle inside a round badge on deep blue.
An elaborately coiffed server balances two red-filled glasses in Walter Schnackenberg’s Preysing-Palais design. A yellow bodice, violet skirt and pale green ground give the costume illustration its decorative elegance.
A feather-hatted cavalier raises a coupe with one hand and holds a long sword with the other. The yellow Cinzano name cuts across the dark composition.
A black goat rears above a small golden brewery silhouette, carrying a figure with two red beer mugs.
A smiling blond portrait wears a pale angular hat over one eye, framed by flowers, a detailed Pineral bottle and sweeping red script against black and cream.
A costumed bagpiper plays beside a Taillan barrel, with a magpie on the instrument, a black-and-white dog at his feet and rhythmic French lettering across blue.
A tall rum bottle stands beside palms and a distant landscape inside a bold red A. Marchand advertising border.
A giant green bottle crowned by a laurel wreath rises above a circle of kneeling figures in colorful clothing. A deep burgundy ground, red bottle band and small patterned details turn the central object into the focus of a compact illustrated gathering.
A footballer in red and green raises an amber bottle above a blue-and-yellow map-like background, with large Coñac Tropical lettering and the Barcelona producer’s seal.
A yellow-draped winged figure raises a glass above golden grapes and a labeled Osborne bottle, surrounded by autumn leaves and a deep blue background.
A sharply stylized red, black and cream face leans toward a golden grape cluster in this Neuchâtel Fête des Vendanges advertisement dated 2 October 1932.
Glen White sits before three glasses in this early Gem film poster for Absinthe. A patterned gold border, a red GEM emblem and a quiet café interior frame the dramatic scene.
A smiling figure in a tall white hat presents a green Champagne bottle and a coupe against a red-to-black background.
A woman in a gold gown holds up a bottle beneath a radiant crown as a reclining figure looks toward her.
A yellow-clad figure balances a huge orange barrel against a black field in Leonetto Cappiello’s Cognac Pellisson design.
A classical figure draped in pale fabric lifts a small cup beside an enormous amber Cognac Malvolti bottle.
A woman in a green gown raises a glass toward a winged server on this French song cover. Arched title lettering and printed credits frame the champagne scene.
A smiling man in a pale suit raises a tall glass while holding a metal-sheathed siphon. G. Francioli’s Champagnino C.I.L.E.A. illustration uses warm facial highlights, a dark necktie and large white lettering against black.
A smiling woman sits up in bed holding a small bottle and glass. Achille Mauzan’s Vio pharmacy advertisement uses yellow bedding, a blue shadow and oversized pale lettering against a deep black background.
A red-clad figure tips a tall glass of golden beer, its foam tumbling down into the black field. The Codognato-signed Birra Pedavena advertisement sets the action beneath sweeping olive letters.
A pipe smoker bends over a table with a lager bottle and a stemmed glass in this softly colored Boston brewery illustration.
A woman in a bright green dress sits on the rim of an enormous glass of red bessenjenever, framed by the dark background and bold Coebergh lettering.
A red-orange clown, yellow lettering and a cluster of dangling glasses give the Maximo vermouth advertisement a bold geometric look.
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