Bitter Campari – Nino Nanni’s Orbiting Bottle Poster
From Original price was: $49.97.$29.97Current price is: $29.97.A red Campari bottle streaks above a blue Earth in Nino Nanni’s star-filled design for the Italian aperitif.
Showing 1705–1728 of 1846 results
A red Campari bottle streaks above a blue Earth in Nino Nanni’s star-filled design for the Italian aperitif.
A gull spreads its wings above a tall amber pint in this navy-blue Bière Paillette poster with orange lettering.
A red-haired mermaid raises a slender glass above a flowing orange-and-cream seascape. Curving Lamotte et Cie lettering and fine horizontal lines give the Reims champagne design a delicate ornamental rhythm.
A winking cavalier raises a rounded glass of amber Armagnac, framed by a purple glow and ornate orange lettering.
A formal dining scene is interrupted by an enormous bottle bearing the Compagnie Générale Transatlantique name. Red-uniformed attendants, a waiter and elegantly dressed guests fill this humorous ocean-liner illustration.
A woman in a flowing green-and-white dress raises a glass beside a playful cat. Jules Chéret’s Quinquina Dubonnet design frames the lively figure with dark curved lettering and a bright red circular background.
Two figures peer into a cabinet where an Armagnac bottle shines like treasure in Eugène Ogé’s dramatic advertisement.
Leonetto Cappiello sets a yellow-clad rider and her garlanded white horse against cobalt blue in this 1922 A. Seguin cologne advertisement. A tiny raised bottle completes the scene.
A horned satyr squeezes a handful of cherries above a tall bottle of Robiolio, with red script and foliage against a yellow field.
A woman in a rose-trimmed hat sits beside a cognac bottle and silver candelabrum, surrounded by pale blue ornament.
A butterfly-winged woman raises a bottle and glass above Gancia Brut lettering in this design by Leonetto Cappiello. Glowing yellow wings, orange stripes and a deep green ground bring festive Italian advertising color to a dining room or home bar.
A kneeling figure in an orange-and-blue costume balances a tray with a Corfinio bottle and small glass. Giorgio Muggiani’s dark-ground design combines patterned cushions, gold jewelry and pale green lettering.
Two costumed performers stagger across a stage with an enormous bird and bottle in Charles H. Yale’s The Evil Eye advertisement. The Café Eccentrique scene fills the poster with comic movement.
A golden satyr bounds through a violet-blue woodland, holding a bottle aloft between dark trees and curling grapevines.
A figure in flowing teal reaches toward golden stars with a tiny glass held high above a deep blue background.
Two dark wine bottles lean through purple grapes and autumn foliage beneath Beaujolais and Côtes du Rhône headings, united by the words Deux Grands Vins.
A figure in tricolor dress stands between two bottles beneath red Quinquina Goué lettering on cream.
Three open-mouthed figures, elongated black forms and three upright wine bottles create a comic choir beneath Opera Pia Barolo lettering. The bright yellow field and red type give this Italian wine advertisement an unusually spare, rhythmic character.
Two women gather around a small bottle and glass beneath the red Coca des Incas name. A black lace collar, blue sleeves and a red skirt give the detailed tabletop advertisement a warm domestic character.
A champagne cork flies away from a green bottle as a fine white spray rises above its neck. A cluster of small blue flowers softens the bottle’s shoulder, adding a delicate botanical accent to the warm, pale background.
A laughing jester in green appears through torn paper beside a giant liqueur bottle on red.
A performer in a golden cat costume leaps with a bottle and mug above a foaming glass marked with a black panther.
Daisy-like blooms spill from a tilted champagne bottle above two flutes. A playing card, a hanging glass globe and a trail of beads turn the tabletop into a scene of small discoveries.
A large rum bottle and a serving figure stand beneath curved La Negrita Rhum lettering on a pale yellow ground. The late-nineteenth-century advertising design is accompanied by context for its colonial imagery.
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