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Showing 1609–1632 of 1846 results
A dancer in a swirling red-orange dress lifts an enormous Ricqlès bottle above her shoulder. Cappiello’s saturated red ground, green script and pale highlights give this mint-preparation advertisement a vivid sense of motion.
A red-suited figure balances on a huge clock while carrying a Bellardi bottle. Bright yellow lettering, pale clock face and black ground turn the Turin vermouth advertisement into a playful scene about time.
A red-capped figure gestures toward an ornate bottle of Luxardo Maraschino, with slanted lettering across a pale blue-green scene.
A woman in a broad hat holds up a strawberry beside an oversized Royale Fraise bottle framed by fruit and leaves.
Realism Painting of a Biblical Figure
A bunch of golden grapes becomes a dancer with green and blue limbs. The figure lifts a wine bottle and glass above yellow Moscato Contini lettering on black.
A woman in a bright red dress raises a glass above an abstract cityscape. Ink-dark shadows, cream shapes and thin red lines suggest movement around the figure.
A white-bearded figure in red steps into a mound of pale grapes above yellow Bonomelli lettering on black.
Mich gives a smiling figure a second grin in the reflection of an oversized glass. A green bottle and red bow tie brighten this vintage La Risette anise liqueur poster.
Large blue Bobby lettering rises above a portrait in a patterned headwrap and red necklace. A sailing ship, flowers, palms and a lower tricolor panel give the Rhum Vieux advertising design a richly illustrated frame around its central figure.
A smiling woman in a red headscarf balances a basket of grapes beneath curved yellow Chianti Bertolli lettering. Plinio Codognato’s design isolates the bright face, leaves and fruit against a deep black background.
A man in evening dress and a woman in a burgundy gown raise small glasses beside a white-covered table. A labeled bottle, fruit bowl and soft cream background give the scene an intimate, carefully arranged character for a dining room or drinks corner.
A horned satyr squeezes a handful of cherries above a tall bottle of Robiolio, with red script and foliage against a yellow field.
Eugène Ogé’s clown balances a giant red cherry above his face in this Guignolet d’Angers Cointreau advertisement. Cherry-patterned yellow trousers and an angular blue shadow animate the olive background.
A white-clad Pierrot settles into an ornate gold chair with a green bottle in his hands. The deep blue background and sweeping ivory costume give this Italian Sila advertisement the feel of a stage scene.
A red-haired woman raises a Victoria bottle within curling green foliage and a bright orange, blue and gold composition. This Menéres port wine advertisement brings decorative Art Nouveau character to a dining room, kitchen or wine display.
Two Gancia bottles rise above a field of red and white round tables, each carrying a small aperitif glass. Robys’s advertisement contrasts pale and ruby-colored drinks against black, using repeated circles and tilted bottles to create a lively overhead arrangement.
A winking clown with a red polka-dot bow tie peers over a ring of foaming beer glasses. O.K. Gérard’s Belgian brewery design advertises Spéciale and Gueuse.
A centaur carries a smaller figure toward a grapevine in Adolfo Hohenstein’s Zolfi Almagià design. Warm ochre, dark foliage and pale lettering turn the sulfur refinery advertisement into a mythological scene.
A blue ship’s bow and fine red and blue ribbons rise through a pale field in Paul Iribe’s quiet Champagne christening design.
A figure in flowing blue raises a glass beside a rocky spring. Golden light and red São Lourenço lettering give this Brazilian mineral-water advertisement its warm landscape palette.
A black-suited server bounds over the Colmar skyline while keeping two trays of foaming beer level.
A Saint-Galmier bottle appears against pale blue above two period racial caricatures. Orangeade lettering and a palm tree frame the French advertisement.
Yellow pigs crowd the front of an open roadster with bottles in their hooves. Tony Sarg’s signed 1936 illustration uses navy, yellow and a thin border to frame the scene.
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